Halifax jazz trio The Blue Lane have created an entirely new world with their double concept album, Blue Land. The album is split into two parts – SOLAR and LUNAR. What makes these two sides different is open to interpretation, but they are nonetheless presented by the band as opposing paths. Both parts explore various ‘areas’ of Blue Land, taking us through landmarks of the kingdom and detailing a day in the life of its residents.
The sides are separated by an overall shift in mood that correlates to the respective titles. Where SOLAR has a lighter, more positive feel. It boasts sunny and flowery imagery, taking us through the rivers and dance halls of the land. We also get introduced to the mysterious “Baron” and his dwelling in “The Baron’s Abode.”
Conversely, LUNAR takes a darker turn into the cabarets and bars of the land, and has a more intense, bitter feel to its tracks. “Annie’s Palace” and “Django’s Cabaret” are two fantastic examples of the world-building this album has to offer, through use of physical and atmospheric description. “Django’s Cabaret” even makes callbacks to other characters and themes on the album.
The Blue Lane have proven themselves experts at imagery with this record. From the lyrical content to the instrumentals, each aspect of the songs adds to the overall magical quality this album possesses.
Even the vocal stylings change to fit the mood being conveyed. Vocalist and bassist Rachael Henderson can switch from a haunting siren’s call to a gritty purr at the drop of a hat.
The jazz-inspired instrumental of the songs combined with the folk-style lyrics make for a truly unique combination. Bluesy riffs make for an exciting backdrop upon which to explore the kingdom of Blue Land.
Blue Land is out across multiple music and streaming platforms and is currently nominated for Music Nova Scotia’s 2018 ‘Jazz Recording of the Year.’